Medardo Rosso

Sculptor, photographer, and master of artful staging, rival to Auguste Rodin and role model for countless artists: Medardo Rosso (1858–1928) revolutionized sculpture around 1900. Despite his wide-ranging influence, the Italo-French artist remains little known today. This comprehensive retrospective, organized in cooperation with mumok, Vienna, aims to change this, showcasing nearly fifty of his bronze, plaster, and wax sculptures and hundreds of his photographs and drawings to trace the artist’s radical formal, material, and technical explorations.

Rosso’s sculptures are anti-monumental and fundamentally human-scaled, walking a tightrope between presence and dissolution. He created animated surfaces that attempted to capture shifting light and perception—hailed in his day as a sculptural version of Impressionism. He was also deeply invested in modern ideas of reproduction, often using photography as a conceptual model and sculptural tool. Inspired by Rosso’s own display strategies, the exhibition includes work by more than fifty artists from the last hundred years whose concerns and approaches resonate with Rosso’s.

Medardo Rosso with Francis Bacon, Nairy Baghramian, Phyllida Barlow, Lynda Benglis, Louise Bourgeois, Constantin Brâncuși, Miriam Cahn, Mary Cassatt, Giorgiode Chirico, Edgar Degas, Jean Dubuffet, Peter Fischli / David Weiss, Isa Genzken, Alberto Giacometti, Robert Gober, Félix González-Torres, Eva Hesse, Jasper Johns, Yayoi Kusama, Maria Lassnig, Sherrie Levine, Marisa Merz, Juan Muñoz, Bruce Nauman, Auguste Rodin, Pamela Rosenkranz, Richard Serra, Georges Seurat, Kaari Upson, Hannah Villiger, Danh Võ, Andy Warhol, Rebecca Warren and more

Medardo Rosso – Inventing Modern Sculpture was created in close collaboration with the Medardo Rosso Estate and is a cooperation with the mumok - Museum moderner Kunst Stiftung Wien.