The event is part of the Kunsttage Basel 2025.

Saturday, August 30, 2025, 11 a.m.–12:30 p.m.
Kunstmuseum Basel | Hauptbau, Vortragssaal
In German
Participation free of charge. Tickets via link

In conversation with Elena Filipovic, director of the Kunstmuseum Basel, artist Renée Levi discusses the concept and creation of her new mural Mira (2025), which will be on view in the Kleinen Hofumgang of the Kunstmuseum Basel | Hauptbau.

Participants: Elena Filipovic (Director, moderator), Renée Levi (artist, discussion), Daniel Kurjaković (Curator of Programs, welcome and introduction)

Renée Levi (born in Istanbul in 1960) is one of Switzerland's most important artists working in painting and installation. Since the late 1990s, she has been questioning the medium of painting, reviving this discipline, which has been declared dead many times, with relish and a critical eye. With radical, powerful, concise, and precise interventions, Levi transcends the boundaries between painting and architecture. Her paintings are objects at the intersection of painting, drawing, and writing. The colors and forms often burst forth in enormous dimensions and retain their fragility despite their sensual force. This is where the astonishingly playful lightness of Levi's work lies.

Levi most recently exhibited at the Palais de Tokyo in Paris and the Akaretler Artweeks in Istanbul, and designed the learning pool at the Rialto indoor swimming pool in Basel. She also won the competition to mark the 175th anniversary of the Swiss Federal Constitution and created the mosaic Tilo for the tympanum, the triangular gable above the entrance to the Bundeshaus in Bern.

The event is part of Kunsttage Basel 2025 and will open Super Saturday as the first item on the program. Super Saturday is a joint event organized by Kunsttage Basel, Haus der Elektronischen Künste Basel, Kunstmuseum Basel, and Institut Kunst Gender Natur HGK Basel FHNW.

On Renée Levi

Renée Levi's work has been exhibited internationally for more than twenty years and is represented in important public and private collections in Switzerland and abroad. After studying architecture in Basel, she began collaborating with Herzog & de Meuron Architects (Basel) and studying art at the Zurich University of the Arts (ZHdK). In 2002, she received the Prix Meret Oppenheim and in 2019 the Prix Arts Visuels from the Société des arts de Genève. Her most recent exhibitions include Rhabarber, Museum Langmatt, Baden, 2019; Mia, Moira and Mi, Lyon Biennale, 2019; MMXX, Musée d'Art, Histoire et Archéologie, Evreux, 2020; Aimée, Villa du Parc, Annemasse/Geneva 2021; and La Elle, Palais de Tokyo Paris 2024/25. From 2001 to 2022, she was professor of painting and art at the Basel School of Design FHNW, Institute of Art.

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