Wednesday, November 12, 2025, 6 p.m.– 8 p.m.
Kunstmuseum Basel | Hauptbau
Participation free of charge. Tickets via link
Artist Cassidy Toner in conversation with art critic Krzysztof Kościuczuk on the occasion of the exhibition Cassidy Toner. Besides the Point, presented for the Manor Art Prize 2025. The conversation will be moderated by Alice Wilke, research assistant for art after 1960/contemporary art at the Kunstmuseum Basel and curator of the exhibition.
The Kunstmuseum Basel is showing new works by Cassidy Toner (born in 1992 in Baltimore, Maryland, USA, lives and works in Basel) in the exhibition Besides the Point. Toner was awarded the Manor Art Prize 2025. For the exhibition associated with the prize, she created two dozen ceramic sculptures, a large-format wall drawing, a video and an installation with cast objects made of synthetic resin and tin.
Witty, sly and full of surprises – in her works, Toner takes an ironic and critical look at the mechanisms of the art world, the prevailing expectations and values within it. A large dose of humour and a great deal of self-irony serve as her strategy for countering the supposed logic of the art world. The title Besides the Point is a combination of the English idiom ‘beside the point’ and the word ‘besides’. Toner deliberately focuses on the supposedly incidental, the casual – and develops this into the overarching theme of her presentation.
This and other topics related to her artistic practice will be explored in depth in a conversation with the artist, providing insights into the production of her exhibition and the accompanying publication HANDS ON. The volume features a series of photographs taken by Toner with her smartphone between 2014 and 2024. In the images, Toner's hand interacts with people or objects on poster prints in public spaces. Her actions nuance the original messages and play with the intentions of the advertising industry.
Cassidy Toner earned her Bachelor of Fine Arts degree from the School of Visual Arts in New York in 2014 and her Master of Fine Arts degree from the Basel University of Art and Design FHNW in 2018. She has received various awards, including the Werkbeitrag des Kunstkredits Basel-Stadt (2018), the Kiefer Hablitzel Prize (2021) and the Manor Art Prize 2025. Toner has participated in solo, duo and group exhibitions, including at the Kunsthalle Zurich (2023), the Swiss Institute in New York (2020), the Kunsthalle Basel (2019), the Kunst Raum Riehen (2019), the C. Rockefeller Centre for the Contemporary Arts in Dresden (2019) and the Centre Art Contemporain Yverdon (2019). Since 2017, she has been running the independent curatorial project Rheum Room in Basel.
Having graduated in Art History and English Philology from the University of Warsaw Krzysztof Kościuczuk worked at, among others, Foksal Gallery Foundation, Warsaw; The Royal Castle Museum, Warsaw; Zachęta National Gallery of Art, Warsaw, as well as Deutsches Forum für Kunstgeschichte, Paris. He was Artistic Director of Muzeum Susch until 2022. Prior to moving to Switzerland in December 2017, he worked for the fourteenth edition of the Documenta exhibition which took place in Kassel and in Athens led by Artistic Director Adam Szymczyk. He has edited and contributed to numerous publications as well as periodicals, the latter include Art Forum, Abitare, Camera Austria, frieze d/e. He has been contributing editor of frieze since 2016 and collaborates with Mousse Magazine.