Symposium

20–21 June 2017, 10am – 5pm
Kunstmuseum Basel | Neubau
St. Alban-Graben 16, 4051 Basel
Daily ticket: CHF 8.-

Summer Academy

13–24 June 2017
Zurich University of the Arts
Pfingstweidstrasse 96, 8005 Zürich
Register: ronald.kolb@zhdk.ch


Kunstmuseum Basel and Zurich University of the Arts, Institute for Cultural Studies in the Arts, Postgraduate Programme in Curating, Further Education

The globally active art world nowadays cultivates an exchange that transcends the boundaries between cultures and continents through so called global museums or globally operating art biennials and festivals, at least for a certain audience able to travel around the globe. Yet, this should not blind us to the fact that in the end a certain perspective of the Western history of art and culture claims primacy over global contemporary art and especially its market. Museums and art institutions all over the world therefore tend to have a uniform appearance. In format and content alike, they cater to and follow "Western" examples.

The question thus arises of how art institutions and museums could work differently by not taking a supposed, globally prevalent "guiding" culture as their orientation but instead continuing to search for new formats. How can an art institution be conceived? What might a de-colonized institution challenge?

Art institutions, fairs and museums in "Western" countries are likewise being called upon to reconsider their ways of addressing their public, and not solely because in the face of the diverse migration movements, cultural processes are in a constant state of change, as G. Spivak pointedly observed. Culture as such is something that exists in a constant movement, in the merging different formats, contents, messages and heritages. Gayatri Chakravorty Spivak: «What people call transculture is culture as it happens. Culture alive is its own counter-example. Transculturation is not something special and different. It is a moment in a taxonomy of the normality of what is called culture. To assign oneself the special task of cultural translation or plotting cultural translation has therefore to be put within a political context.»

Concept: Dorothee Richter and Ronald Kolb, in cooperation with Søren Grammel


Speakers at the Symposium

Sabih Ahmed (Asia Art Archive)

Jeebesh Bagchi (Raqs Media Collective)

Binna Choi (Casco)

Eyal Danon (Holon Digital Art Archive)

Catherine David (Centre Pompidou)

Kadiatou Diallo (SPARCK)

Khwezi Gule (Soweto Museums Johannesburg)

Rohit Jain (ISEK, Uni Zürich)

Shwetal A. Patel (Kochi-Muziris Biennale)

Dorothee Richter (Postgraduate Programme in Curating, ZHdK)

Peter Weibel, (ZKM, Centre for Art and Media)


Lecturers at the Summer Academy

Jeebesh Bagchi (Raqs Media Collective)

Eyal Danon (Holon Digital Art Archive)

Kadiatou Diallo (SPARCK)

Grandhotel Cosmopolis Augsburg

Rohit Jain (ISEK, Uni Zürich)

Ronald Kolb (Postgraduate Programme in Curating, ZHdK)

Khwezi Gule (Soweto Museums Johannesburg)

Shwetal A. Patel (Kochi-Muziris Biennale)

Post-Museum (Singapore)

Dorothee Richter (Postgraduate Programme in Curating, ZHdK)

With a preview from the digital platform on curatorial practice, “Curating explored with a camera: politics of display, politics of site, politics of knowledge production, politics of transfer and translation” by Richter/Kolb featuring video interviews with Peter Weibel, Kadiatou Diallo, Lars Nittve, Khwezi Kule, Ute Meta Bauer, Yuko Hasegawa and many others.