Picasso – El Greco

NEUBAU / 11.06.–25.09.2022 / Curators: Gabriel Dette, Carmen Gimenez, Josef Helfenstein

In a large special exhibition, the Kunstmuseum illuminates the encounter of Pablo Picasso (1881–1973) with the old master El Greco (1541– 1614), born Doménikos Theotokópoulos in Crete. Masterworks by both artists are juxtaposed in some forty pairings, tracing the course of one of the most fascinating dialogues in the history of art. Prestigious loans from across the globe are assembled around a core of Picasso masterworks from the museum’s own collection.

*Pablo Picasso, Mme Canals (Benedetta Bianco), 1905, Museo Picasso, Barcelona © Succession Picasso, 2022 ProLitteris, Zurich*

Pablo Picasso, Mme Canals (Benedetta Bianco), 1905, Museo Picasso, Barcelona © Succession Picasso, 2022 ProLitteris, Zurich

*Alonso Sánchez Coello, zugeschrieben / attributed to, Lady in a Fur Wrap, c. 1577-79, Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council, the Stirling Maxwell Collection*

Alonso Sánchez Coello, zugeschrieben / attributed to, Lady in a Fur Wrap, c. 1577-79, Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council, the Stirling Maxwell Collection

*Pablo Picasso, Self-Portrait, 1901, Musée national Picasso, Paris, Photo: RMN-Grand Palais/Mathieu Rabeau © Succession Picasso, 2021 ProLitteris, Zurich*

Pablo Picasso, Self-Portrait, 1901, Musée national Picasso, Paris, Photo: RMN-Grand Palais/Mathieu Rabeau © Succession Picasso, 2021 ProLitteris, Zurich

*El Greco, Portrait of an old man, ca. 1595-1600, The Metropolitain Museum, New York*

El Greco, Portrait of an old man, ca. 1595-1600, The Metropolitain Museum, New York

El Greco’s unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched. The young Picasso was instrumental to this rediscovery. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. El Greco’s influence is just as palpable in Picasso’s works from the 1930s and 1940s as it is in the earlier Cubist paintings. Even at the end of his life, Picasso continued to reference El Greco. Not only does the show open up new perspectives on two towering artists of their times. It also offers fresh insight into their importance as a constellation for the development of avant-garde art in the twentieth century.

Curated by Carmen Giménez, with Gabriel Dette, Josef Helfenstein and Ana Mingot

-> Booklet (Download PDF)